Katalepsis 1.4
Thank you once again [USER=937]@skaianDestiny[/USER] for this ongoing fast lane commission.
This month, I'll be reading through the next two chapters of Katalepsis. Where we left off previously, Evelyn had rescued Heather from the ziggurats-covered-in-eyeballs dimension and deposited her safely back in the Medieval Metaphysics office, where Raine then found her. They have no idea what happened to Evelyn though, so Raine is taking Heather and a nightstick to go check her apartment and make sure she's not having her face eaten off or anything. Heather is overly impressed and intimidated by Raine having a nightstick, which is kind of adorable.
But first, on a pair of minor notes:
I just realized that the university Medieval Metaphysics department is another Lovecraft reference, this time to "The Thing On the Doorstep," a story that *also* features a college's queer occultist subculture (albeit portrayed a whole hell of a lot more negatively).
Remember when I tacked "Mason" to the end of my ridiculous joke-surname for Heather? I asked the author, and the character ACTUALLY IS named after Heather Mason from the Silent Hill games. I can't believe I noscoped that lol.
Anyway, enough preamble. Let's read some lesbian scene girls vs. eldritch abominations!
Right. It was a house, not just an apartment. I don't remember exactly what was implied about Evelyn's family situation in the previous chapter, but I recall it being a tense and somewhat sordid one. Still, at least she's getting a house out of it. Almost makes you wonder why she and Raine don't have their base here instead of the school.
...also, where does Raine live, I wonder? If she's here to protect Evelyn, and Evelyn has a house to herself, why isn't Raine living in it with her? I guess we'll probably find out in this chapter.
Do they have....g A m b R E l r O o F s ?
:V
Ah. I'm guessing Evelyn's family fall into that last group. And just letting her use it while she's going to school in town, because you might as well get *some* use out of the damned place.
Yeah, that is a concern. Next time you should bring a nightstick of your own along, Heather. This is why people carry those. In fact, you should carry two. Learn to dual wield.
Some interesting wildlife around these parts, if nothing else. None of these critters sound similar to the ones wandering around the university area. Different habitats, or is it a matter of different creatures being attracted to Heather's emotional states or whatever? Too early to tell.
The fact that some of these creatures - like the doglike things here and the skelebirds in chapter one - seem able to see humans and consider them worth paying attention to has implications. Not sure which implications, but a nonzero quantity of them.
Evelyn either doesn't bother taking care of the lawn and garden, or she digs the abandoned ruin aesthetic, or she's afraid of pissing off the evil lawn spirit that she shares the property with.
The correct answer is option C, of course.
Yeah, but it's not Evelyn's bitchiness that Raine is trepidatious about. It's whatever she brought the nightstick as a precaution against. I believe her when she says that things will be fine socially as long as they do, in fact, meet Evelyn, but she fears they might not get to. That lawn spirit has been really aggressive lately.
So, why doesn't she just live with her then?
Oh god Heather please don't tell me you want to fuck the creepy old manor house too...
I doubt Evelyn had all that much of a hand in how the place is decorated. Though I could be wrong on that; the attention being called to the hasty-looking remodeling might suggest that Evelyn had it modified for whacky magical purposes.
The line comparing the house to a snailshell used by hermit crab after hermit crab was excellent. Really captures a tone and feeling without being too complicated of a simile.
Unless something dragged her out of the house, but I feel like there'd be signs of that if so.
I also doubt she'd have gone dimension-hopping barefoot, so she definitely came back here at some point after rescuing Heather.
I still want to know why the demons can speak Greek and Latin, but not modern languages. Or other archaic languages, for that matter. Going by the folklore this genre typically draws from, Aramaic should be another big one.
...well, to be fair, a British undergrad student is much more likely to speak Greek or Latin than Aramaic or Old Hebrew, so I guess Raine might not have bothered to ask about that lol.
These repeated insistences that the arcanofauna are manifestations of Heather's emotions are starting to feel intrusive. I get that she's clinging onto her belief that she's hallucinating them, but it's become pretty repetitive.
Raine doesn't know what the circle is all about. So it's not just something that Evelyn keeps scrawled on her floor for periodic use; she specifically drew this sometime in the recent past. Looking in the book she seems to have copied it from ought to tell them what it does, but it might be in a language Evelyn can read and Raine can't.
Did what happened with Heather somehow send out a signal that Evelyn could detect, prompting her to do this spell? Or is it something she hurried back here and set up after rescuing Heather, as a precaution against being followed by something from the ziggurat-covered-in-eyeballs dimension? You'd think she'd have left Raine a note in the department office, or sent her a text, or something, if she had the time to do that and knew there was a danger. Puzzling.
It could be a coincidence, but that seems unlikely. If nothing else, the fact that the glyph feels uncomfortably familiar to Heather suggests that it's something the Eye has been trying to teach her, so it's at least *related* to what Heather's been dealing with even if Evelyn's usage of it is coincidental. Which, again, I don't think is the case.
Oh hello there.~
This particular eldritch fluffy puffy is in realspace, then? Or else under some effect that makes it visible (and possibly interactable) to people who can't normally see Beyond?
I guess the question then is whether Evelyn's spell summoned this thing, or is warding against it. It's not *inside* of the circle, so if the former then she's either given it freedom of movement or lost control of it. Assuming that summoning circles work the same way here that they do in most fantasy stories.
Now, Raine's reaction. Is she just scared because its a creature she doesn't recognize, or is she scared because it’s a creature she knows to be dangerous?
Gee, it sure is xenomorph around here...
Oh.
If it's "testing its own weight," and Raine didn't see it until a second ago while Heather saw it before, that suggests that it just..."slipped." Whatever Heather would call it. It was keeping watch here in Beyondspace, and shifted into the human plane when they came near it.
So, this thing isn't just an animal. And it's here for a reason. From her continuing reaction, I get the impression that Raine has not only seen one of these things before, but had to fight or escape from one.
It's probably an agent of whatever antagonistic force sent that seaweedy spy-drone to tail Raine in chapter one. Perhaps this is another type of "servitor?" An attack unit, to supplement the surveillance model?
Or else the evil lawn spirit finally managed to manifest a body for itself. Darkest timeline.
Yuuuup. Time to start the boss music. Now, for an eldritch biodrone with a leech mouth, boney armor, double-jointed legs, and a bunch of off-angled claws...
Metroid: Samus Returns Music - Omega Metroid Boss Theme - YouTube
Close enough, I think.~
Future Heather, you should stop asserting these things about Raine at us when she's doing a perfectly good job characterizing herself for us in the narrative.
...also, if Raine has seen these things before, she's not taking "the impossible" in her stride. Creatures like this are part of her known and familiar reality at this point, and she's already dealt with any uncertainty and disbelief issues she had about them before you met her.
So, Heather's statement here not only isn't necessary, but also calls her judgement of this sort of thing into question. Not sure if this is a deliberate piece of characterization for Heather, or just an author flub.
...well, not much of a boss fight after all then. Either that's a +4 nightstick of xenomorph smashing Raine was using, or else these things really aren't as dangerous as they look.
On a more character-focused note, this dimensional shambler type thing isn't the only monster that Raine's just defeated. It's also Heather's belief that she's a helpless, hopeless victim of mental illness that's been beaten to chitinous chunks on the floor.
Alyx Vance vibes intensifying. Just, if she borrowed her colleague's crowbar and welded a handle to it.
Heather also demonstrating a lot more practicality and present-mindedness in this situation than I'd have expected from someone who's never been in it before. I foresee quite an action heroine future for her as well!
Raine is on a "psychological precipice?" Methinks Heather is projecting a tad.
I can think of several possible explanations for that.
1. The horror movie millieu has had most of a century to come up with monsters of all descriptions. Maybe it's inevitable that someone in Hollywood would happen to design something similar to a real monster by sheer law of averages.
2. Humans have clearly interacted with these creatures before. Either this influenced the folklore and mythology that horror movie creators draw on, or there's a Dreamlands style noosphere thing where artists have always glimpsed the creatures in their dreams or visions or whatever. Either way, humanity's fictional monsters could have been directly inspired by these real ones.
3. The whole "servitor" designation still has me thinking that some of these creatures are artificial. If their creator is a human, or even just an entity that's been exposed to human cultures, then the influence might be going the other direction.
There could be any number of other reasons; those are just the three that come to mind. In any case, I don't think the author would be lampshading this if she didn't have a good explanation for it in mind. :P
Most merciful thing in the world, island of ignorance, etc. The arc one title, "Mind; Correlating," doing something adjacent to an in-text drop.
Yes, and......? ;P
...there we go!~
You don't need to apologize for this, Heather. Have you seriously never wondered why the princess always marries the prince after he slays the dragon? It's because seeing someone kill monsters makes you want to fuck them. Obviously. Is your college education really doing this little for you?
...okay, I'm not being snarky now. Heather's aversion to violence is actually weird.
Even if she's never been in a fight, or known anyone whose been in a fight, did she really think the "thrill of combat" that books always talk about was a total invention?
And...it's not even like Raine demonstrated a lack of human empathy or anything, considering what she was fighting. Heather MUST know that humans have seen the killing of dangerous, nonhuman creatures as an exciting and actualizing experience since literally prehistoric times, right? We have cave paintings about this shit!
Now, the fact that she's also turned on by seeing Raine like this could just be the common "bad boy/girl" appeal without much more to it. But I think there's more to it than that, and that it's very much tied to her violence-aversion. What does being "mentally ill" mean for someone in Heather's society? What was she on the brink of accepting before Raine showed up and dangled the possibility of maybe her NOT being mentally ill in front of her?
If you've read my Utena reviews, you know where I'm going with this.
Heather is afraid that believing the monsters are real is tantamount to letting herself slip into madness. The life she foresees for herself, and is trying to cling to in defence of her "sanity," is one of disempowerment and dependency. Raine says that the monsters ARE real, and also here, have a lead pipe.
I figure she's doing the finger air quotes for "hallucinations."
So it's not just that the glyphs keep creatures away. Or even mostly that, necessarily. Heather's connection with the Eye is constantly bombarding her with Tillinghast rays and activating these preternatural senses. So, bring her into a signal deadzone, the From Beyond rays can't reach her, her magic vision shuts down again. Some specific creatures actually ARE repelled by the glyphs as well, but that's only the "servitor" ones who are dependent on remote control by their masters; the natural, animal-ish ones probably aren't directly effected.
She didn't stop seeing the creatures when Raine wrote the glyph on her arm, though. Maybe there are different degrees of warding? Or else I'm just totally off in my understanding of how this works, that could also be.
So Raine hasn't seen these xenomorph-ish things before after all, then? Or maybe she has, but doesn't know quite what they are?
That does help justify the "Raine takes the impossible in stride" line a little bit, possibly. Or...then again, Raine has almost definitely seen (and fought) other types of normally-invisible monster before, so...yeah, never mind. It does make her even braver than she already seemed, though, if she had no way of knowing if her baton would actually be able to break the thing's armor.
...unless it actually IS a +4 nightstick of bashing, of course. In that case, she might have just been acting on reasonable confidence that her weapon is effective against just about anything she can hit with it.
Yeah, most of the house's aesthetic has little to do with Evelyn. She's only bothered refurnishing a few key parts.
It's actually a +3 staff of Cthulhu poking.
I would assume Evelyn knows what she's doing in there, but the fact that she didn't let Raine know or even leave a note in the Medieval Metaphysics lab when she dropped Heather off suggest otherwise.
Maybe that xenomorph-thing's packmates are chasing her through the astral plane, and it was just standing watch here at her entry/exit point in case she tries to flee back to it.
Or, if the monster really was another type of servitor, replace "packmates" with "master."
The party fighter and the party sorcerer taking turns freaking each other out. Super kawaii.
Anyway, time to do some Dreams In the Bitch's House dimensional travel using that circle. See if you can bring Raine with you, Heather; you might need her nightstick skills.
And she's still recovering from her previous slip. At this point Heather is going to start running into blood loss issues unless they do something about it.
Is Raine not used to Evelyn taking strolls through the warp? Maybe it's just a matter of her being used to Evelyn telling her beforehand.
If not for Evelyn, then at least for Raine. Fair enough.
"Sky like rotten apricot." These lines, man, these lines!
So, back in the same realm that Evelyn dragged her from. Did she come back here deliberately by entering the right numbers into the brain-burning plane shift equation, or is this just the realm that happens to be "near" Sharrowford today? If the former, then Heather can theoretically choose between any number of worlds to travel to as long as she learns their serial numbers and hasn't run out of neurons.
If the latter, then there's an element of waiting, and perhaps of prediction, involved if you want to get somewhere specific. Maybe this is why wizards are always watching stellar conjunctions? The position of the earth at any given time puts it adjacent to different alternate dimensions, and you need to wait for the one you want to visit to come close?
Casting from hit points? Between that and the brain problems, magic in this world really takes a toll on you. There's got to be ways of making this easier on the body!
"Gorilla with a rolling pin" is another great line, though it feels like it would fit in better in a pulp detective story or something.~
Thin, bony creatures. More xenomorphs?
Huhhhhhh. Not what I was expecting.
Not sure what the story here might have been. How did she not only grab onto Heather's hand, but also move her from the library to the MM office, without knowing it? Whatever happened is a lot more complicated than it seemed like it was going to be, and Evelyn is clearly much less in control of it than even my lowest estimations. And it seems like getting herself into these situations is NOT a regular occurrence, or Raine would know what had happened. Is it just coincidence that this happened within a couple weeks after them meeting Heather? Maybe destroying that servitor at the coffee shop pissed someone off more than they expected it to?
Anyway, it's not magician and schizophrenic now. It's wizard and apprentice. Well, probably; wizard needs to give prospective understudy one hell of an apology. Preferably an expensive one, like involving restaurants and such.
That's a chapter. This story is escalating quite a bit faster than I expected it to. Some clumsy writing moments here and there throughout, but overall this chapter was at least as enjoyable as the previous three.
I'll be doing one more chapter this month, finishing the initial "Mind; Correlating" arc of Katalepsis.