“Katalepsis” 1.2
Katalepsis 2: Katalep This! Since the previous post, I've gotten in touch with the author of this story, and she's given her permission for me to reproduce the text in full, like I used to do for my Loveraft readthroughs. So, thank you HY! Now, to continue into arc 1 "Correlation."
...I just now realized that the arc title is probably a shoutout to the opening line of "The Call of Cthulhu." Heh, well, anyway.
Correlation 1.2
Heather has been given directions and a key to her university's monster-hunting department's office, along with instructions to go there once she's gotten a few hours' sleep. Let's see what happens.
"Typically Raine-like oversight" makes sense from future Heather's perspective. However, it also makes her seem like not the best storyteller in the world.
Her description of the university architecture, on the other hand, is gold.
Extradimensional critters don't like the new building, eh? Or, perhaps they just really, really like the old buildings, so none of the creatures in this area would bother hanging out elsewhere.
The "tree made of shadow" sounds like it might be related to the servitor Raine destroyed earlier. Definitely more likely to be hostile than the other creatures she can see from here, if so.
Placebo Elder Signs are the best kind of placebo. And also the best kind of Elder Sign.
More seriously, Heather is probably thinking it more likely than not that she hallucinated Raine. Or created false memories of her existence, just like she thinks she did with her twin sister.
It's hard to tell how sane you are or aren't when reality itself might be trying to gaslight you. Which...well, that by itself is a deeper dive into mental illness as a concept than Lovecraft himself ever managed, for all that he played at it.
She gave off at least as many signs of swinging your way as she did of being a cold reader. But, that's what low self esteem does to your perceptions I guess.
Your virginity. Go for it.
I'm honestly surprised Heather hasn't resigned herself to "Raine was just another hallucination" at this point.
Well, I guess she has nothing to lose by making sure. As she herself points out, she's not expecting to ever be back here again after this week.
Perseverance pays off. Granted, this door is hidden and out-of-the-way enough that it could plausibly be yet another hallucination itself, but at that point we're kinda getting close to the problem of hard solipsism.
Anyway, Raine did say that there were literally only two people in the department, so this basically fits.
Skin pale, eyes bleary and baggy, but otherwise looking good. Let's hope it pays off for you.~
I wonder if it has to be displayed in order to work? Raine had to specifically present the one on her screen to the servitor to dispel it. Hmm. Well, as long as she doesn't wear the mittens while she's sleeping it shouldn't matter.
Anyway, let's see if anyone's home right now, or if she'll have to use that key.
Or, you know, she could have gotten held up somewhere.
Sounds like actual undersized university departments I've worked with, minus the Elder Sign carved into the door.
Also, the filing cabinet blocking the door in this case is probably to keep a monster from getting out instead of just having been left there during an abortive remodeling.
I get the sense that this is less Raine's space and more the other person's. What was her name again? Peewee or something? I can't be assed to look back at the previous chapter, so it's Peewee until further notice. Heather has stepped into Peewee's playhouse.
Hah. So, for those who aren't familiar, the joke here:
"Witch-Cult in Western Europe" is a silly New Age pseudohistory of the "witch-hunts were actually attempts by patriarchal Christianity to suppress the egalitarian feminist indigenous European beliefs that have been preserved all the way up to the present in secret" variety.
"The Golden Bough," meanwhile, is one of the foundational texts of the field of anthropology. It was controversial when it came out due to its proposal - nowadays considered common sense - that "civilized" western religious beliefs and civic traditions developed step by step from the "savage" practices of pagan tribal cultures like the ones Europe was self-righteously bootnecking. Obviously, "The Golden Bough" is extremely antiquated to modern sensibilities, but it was still a critical publication in academic history that helped things move forward.
And, in every other H.P. Lovecraft story, the protagonist is described as recalling some nonspecific "unspeakably hideous" passages from those two books when they look at whatever creepy thing they're looking at. Which is pretty strong evidence for Lovecraft never having read either of them himself.
So, putting those two on the bookshelf in close conjunction to each other and ALSO next to a bunch of forgettable shite by Moon Dewdrop and Silver Raven Enya, I feel like the author of this story is kinda taking the piss.
And here's the not!Necronomicon, probably. The NecroNOTmicon, if you will. The Kitabn't Al Azif. Fittingly, the story seems to be playing this genre convention straight, with Heather getting more serious and respectful when this particular book got her attention.
Here's Peewee. Was she asleep in her chair when Heather was banging on the door? Could be she was in a trance or something too, since it's been pretty heavily implied that she's an actual magician. Or else she just had her headphones on.
Huh. Well, color me surprised. Is the school just letting these two undergrads use the room for want of an actual professor to run the department?
I'm noticing a bit of a pattern in Heather's reactions to the people she meets. The thirst is strong with this one.
...except with regards to poor Seaweed Monster, of course. Well, no accounting for taste.
Show her the glyph on your hand, she's afraid you might be aylmao.
I know, I know, there's no reason to expect that kind of genre-savviness from Heather.
Damn she's self-conscious. Understandably, given her life story, but still. Self-actualization is going to be a very long uphill battle for Heather.
On the other hand, she does fundamentally have a lot of self-respect. In her situation, with the messages life has sent her, it would be understandable for her to have just given up and wallowed in her perceived unworthiness. But no! She keeps her room fastidiously clean, even when she's bleeding and vomiting every morning. She makes up her mind ahead of time not to put up with stupid pranks or gatekeeping, even from a girl who she's attracted to, and even when she's starved for human contact. These little touches aren't much individually, but in aggregate they paint a picture of someone with a lot of personal strength.
Given that core, maybe it actually won't take Heather so long to bounce back from this after all once she knows she's not crazy and has acquired one or more hot occultist fuckbuddies.
Evee. Damnit, I was close!
Yeah, we're passed the point of "reasonable fear that the intruder is aylmao" now. Evee is not a likely fuckbuddy candidate, at least until she undergoes some character development.
Well, that does answer some questions I had about Raine's behaviour.
It doesn't excuse Evee, of course. Even if her frustration is reasonable, that's something she should be taking out on Raine, not on her street urchin collection.
Like I said. Self-respect is something that the world has failed to beat out of Heather.
Even Evee agrees!
It's like manic depression, but split between two different people!
I guess she just insults everyone constantly, like a nervous tic or something. That's an actual neurosis, if I'm not mistaken. I think it's classified as a type of aggressive OCD?
Maybe I'm just making excuses for a not-nice person, heh. We'll see.
Ohhhhhhh dear.
Fuck.
That last sentence was just...heartbreaking.
Okay, Heather, you have my permission to punch Evelyn before you leave.
Actually, it's a command. Punch her, Heather.
Punch. Her.
Well, at the very least it now seems like Raine ISN'T in the habit of taking sexual advantage of the mentally ill as some kind of power trip. Evelyn just phrased it in a way that suggested that earlier because she's that nice of a girl.
...that could have been more satisfying than it was, ngl.
Hmm. If the creatures' behavior is actually corresponding to Heather's emotional state, then maybe they aren't just extradimensional wildlife after all. Either they really are being hallucinated or projected by her, or they're at least some kind of psycho-reactive noosphere spirits or what have you.
On the other hand, it could just be confirmation bias. Heather might not be considering all the times she saw monster fights break out WITHOUT her being upset and all the times she got upset without them behaving violently.
End scene. And goddamn, that whole sequence was harsh to read.
Granted, the harshness may have done the story a service, for two reasons.
1. The inherent cheesiness of the shonen-ish "group of young people with magic powers fighting monsters" genre can be hard to reconcile with a more serious or horrific tone. Throwing some emotional violence and people being just really nasty to each other in a way that feels somewhat real is a good way to counterbalance this. Note that I made fewer bad jokes and more serious analysis as the scene with Evelyn went on. This wasn't deliberate on my part, but I think it WAS deliberate on the story's.
2. The story felt like it was starting to lean a bit too far into wish fulfilment territory. "Oh look, a manic pixie dream girl is here to rescue you from your miserable life! Oh look, she has a friend who's different from normal in a similar way as you! Of course they're both super hot, why wouldn't they be?" This kind of narrative usually panders to a straight male POV, so the lesbian version isn't as reflexively eyeroll-inducing, but we were still starting to get to the point where my pupils were rising. So, pulling the rug out from under that was well-timed. Evelyn and Raine aren't anyone's dream come true, even if the initial presentation might have suggested that.
It's going to be pretty hard for me to warm up to Evelyn after this, if that's what the story expects me to do, though. Seriously, saying all that shit to someone who you actually think is mentally ill? WTF.
Well, jump ahead to Heather back in her apartment.
Sinking into the darkness.
Heather may not actually have clinically paranoia, but the way she's been treated so far - the way mentally ill people are treated in general - definitely inclines one toward BECOMING sort of paranoid.
Shit. She fell down deep just now. Just completely shut down. On autopilot...
...never mind! I was doing Heather a disservice there.
Even demoralized as she is right now, the possibility of having MAYBE found a way to keep her mental health up, even if it's slim and unscientific, is enough to make her want to keep trying.
:[
She's doing the best she can with the informational tools she's been given. Unfortunately, they just aren't the right ones.
This story's approach to mental health so far is...hmm. I think I'll save this for the end of the chapter.
That took longer than I thought it would, at least. Three diurnal cycles of proper sleep should hopefully be enough to recover a few SAN points.
Symptoms slowly returning over that three day period. Could mean that the glyph's effects are weakening as the shape itself grows faint. Could be that the gradual buildup during that time is psychosomatic, due to Heather's awareness of the fading. Or it could be that the Eye is actually angry at being separated from human brainmeats and is actively working against the barrier as Heather indicates with the wording "pressure building up."
The description of the Eye makes me think "cosmic entity too high above the human level to take an active interest in individual people unless forced to," so I'm thinking probably not option #3. But, like I mused previously, the Eye also might not actually be as big of a deal as it appears.
It honestly might be interesting to read this chapter from Raine's perspective. Like, seriously, the range of emotions it seems like she must have experienced in this same period of time, the rising and falling actions, the probable guilt, shame, and possible second-guessing after the fact. It's probably almost as dramatic as Heather's POV, albeit with lower stakes.
Figured that would happen. Well, my prediction is that she'll either bite the bullet and seek Raine again after this to copy the glyph again, OR it will turn out that Raine has still been surreptitiously keeping tabs on her and will come to her aid first. Probably one of those two things. That's the end of the chapter.
So, I kind of have mixed feelings about the message here wrt mental health.
On one hand, there's some very legitimate commentary being made on the stigma faced by the mentally ill, and our society's tendency to try to medicalize inconvenient or frustrating individuals away. The doctors having given Heather a "closest fit" diagnosis even though she didn't actually have the symptoms for it instead of taking the time to do a proper, open-minded examination kind of speaks for itself.
On the other hand, "the doctors are wrong; you don't actually need medication" is kind of a fraught message, even if it's justified by the (fantastical) context of this story. Maybe it wouldn't have been as much so a couple of decades ago, but in today's world of antivaxxers and covid-deniers...yeah, I dunno. Granted, you could make a strong case for our culture of overmedicalization and prescriptivism having led to the backlash that fuels these lunatics, but I'm not sure if that helps in this case.
On the blasphemous geometrical third hand, though, the glyph that Raine drew on Heather's hand pretty much IS medication. The specific wording that Heather uses when she decides to not retrace the glyph, about how she's confident she can pick up from here "on willpower alone," is pretty much exactly the line of thought I went down when I tried going off my meds a decade ago. With predictable results. The complacence born of respite, and resentment of needing help from systems/people you (rightly or wrongly) have come to resent. And that's definitely a good message; like I said, I had to learn it the hard way myself.
I guess it depends on how much of the story you take as allegory. There's definitely precedent in the cosmic horror genre for "talking about mental illness using a character who everyone thinks is mentally ill but really isn't." Like, that's pretty much "The Shadow Out of Time" in a nutshell.
Wanted to merge chapters two and three into one post, but covid headaches are coming back. That'll be a post for now.